Generated by Rank Math SEO, this is an llms.txt file designed to help LLMs better understand and index this website. # Manuela New York ## Sitemaps [XML Sitemap](https://manuela-nyc.com/sitemap_index.xml): Includes all crawlable and indexable pages. ## Posts ## Pages - [Mother’s Day at Manuela](https://manuela-nyc.com/mothers-day-at-manuela/) - [FIFA World Cup NYC Dining](https://manuela-nyc.com/fifa-world-cup-nyc-dining/) - [Drinks – PPC](https://manuela-nyc.com/drinks-in-soho/) - [FAQs](https://manuela-nyc.com/faq/) - [NYC Restaurant Week at Manuela](https://manuela-nyc.com/nyc-restaurant-week-at-manuela/) - [Newsletter Sign Up](https://manuela-nyc.com/newsletter-sign-up/) - [Dinner at Manuela PPC](https://manuela-nyc.com/dinner-at-manuela/) - [Accessibility Statement](https://manuela-nyc.com/accessibility-statement/) - [Brunch in SoHo, New York – PPC](https://manuela-nyc.com/brunch-in-soho-new-york/) - [Lunch PPC Landing Page](https://manuela-nyc.com/lunch-in-soho/) - [Cookie Policy](https://manuela-nyc.com/cookie-policy/) - [About Us](https://manuela-nyc.com/about-us/) - [Reservations](https://manuela-nyc.com/reservations/) - [Private Events & Dining](https://manuela-nyc.com/private-events-private-dining/) - [Art](https://manuela-nyc.com/art-at-manuela/) - [Menus](https://manuela-nyc.com/menus/) - [Privacy Policy](https://manuela-nyc.com/privacy-policy/): An anonymized string created from your email address (also called a hash) may be provided to the Gravatar service to see if you are using it. The Gravatar service privacy policy is available here: https://automattic.com/privacy/. After approval of your comment, your profile picture is visible to the public in the context of your comment. - [Home](https://manuela-nyc.com/): This is an example page. It's different from a blog post because it will stay in one place and will show up in your site navigation (in most themes). Most people start with an About page that introduces them to potential site visitors. It might say something like this: ## Journal - [Father’s Day at manuela](https://manuela-nyc.com/journal/fathers-day-at-manuela/): On Sunday, June 21st, give your dad all the love this Father’s Day with brunch or dinner at Manuela. With summer in full swing, we’ll have seasonal dishes that will satisfy any Dad’s appetite. We’ll also have summer cocktails, NA options, plus our well-curated beer and wine menus. Want to make the occasion extra special? Purchase a Manuela gift card! - [Happiest Hour Every Day in SoHo](https://manuela-nyc.com/journal/happiest-hour-every-day-in-soho/): Introducing Happiest Hour in SoHo: every day from 3:30–5 pm. - [Allison Katz: SoHo Community-Based Poster Project](https://manuela-nyc.com/journal/allison-katz-soho-community-based-poster-project/) - [Allison Katz: Outta the Bag](https://manuela-nyc.com/journal/allison-katz-outta-the-bag/): 30 April – 24 July 2026 | New York, Wooster Street - [Philip Guston: Paintings and Drawings 1964–1978](https://manuela-nyc.com/journal/philip-guston-paintings-and-drawings/): Opening on April 21st at Hauser & Wirth’s 18th Street space, ‘Life with P.’ illuminates an intimate and rarely observed facet of Philip Guston’s art. The exhibition showcases a selection of Guston’s more intimate paintings and works on paper, ruminating on his marriage to poet Musa McKim and their lives together in Woodstock. - [Around Manuela](https://manuela-nyc.com/journal/around-manuela/): Whether you’re visiting New York or a born and raised New Yorker, a day in SoHo never fails to feel quintessentially New York. The neighborhood may have changed over the years, yet, at the core, artists and creatives still walk the streets. From iconic designers to local independent shops, the artistic energy still feels palpable.  - [Beets for EATS](https://manuela-nyc.com/journal/beets-for-eats/): Founded in 2009 by New York–based artist Linda Goode Bryant, Project EATS is a growing network of community-based food systems using art, urban agriculture, and statewide partnerships to expand access to fresh, nourishing food. Project EATS works directly with communities to create small plots and high-yield farms. They also host community meals, courses focused on food-based wellbeing, and after-school workshops on urban agriculture in areas where fresh food and nutrition education are needed most. At the heart of their mission is a simple belief: “Communities deserve to grow their own food right where they live, and everyone should have the ability to live healthily and thrive.” - [Franz Gertsch](https://manuela-nyc.com/journal/franz-gertsch/): On view at the Wooster Street location, Hauser & Wirth present ‘Franz Gertsch. Presence,’ an exhibition devoted to the distinctive vision of late Swiss artist Franz Gertsch (1930 – 2022). 11 November 2025 - 31 January 2026. - [Rashid Johnson](https://manuela-nyc.com/journal/rashid-johnson-exhibition/): If you haven’t yet experienced Rashid Johnson: A Poem for Deep Thinkers at the Guggenheim, it’s showing until January 20 and is not to be missed. For nearly 30 years, Chicago-born artist Rashid Johnson (b. 1977) has cultivated a diverse body of work, drawing inspiration from history, philosophy, literature, and music. This major solo exhibition highlights Johnson’s role as a scholar of art history, a mediator of Black popular culture, and a creative force in contemporary art. - [Manuela – Lunch Service](https://manuela-nyc.com/journal/manuela-lunch-service-opens/): Enjoy lunch at Manuela in the heart of SoHo. Set against a backdrop of site-specific art by New York artists, Manuela provides the perfect setting for lunch, whether it is for a leisurely catch up with friends or a quick after perusing the shops of SoHo. Choose from grazing snacks and light salads and sandwiches to seasonal plates of fish and meat cooked over fire in the open kitchen with juices, spritzes and a curated wine list. - [Private Dining](https://manuela-nyc.com/journal/private-events/): The private dining room at Manuela showcases an ebulliently decorated seven meter long, oval shaped 24-seat dining table and brilliant red custom rug designed by acclaimed American artist Rashid Johnson set against a wall-drawing by Pat Steir. Reached via a dedicated entrance on Prince St. or through the restaurant, private dining at Manuela is an experience like no other.  - [Billion Oyster Project](https://manuela-nyc.com/journal/billion-oyster-project/): We are delighted to be supporting Billion Oyster Project, a nonprofit initiative that is restoring oyster reefs to New York harbor. - [Manuela – Dinner Service](https://manuela-nyc.com/journal/dinner-service-opens/): We look forward to welcoming you for dinner, served every day of the week, from 5pm to 10pm. - [Lorna Simpson](https://manuela-nyc.com/journal/lorna-simpson/): Created for Manuela, Lorna Simpson’s ‘Quiet Storm’ (2024) is a site-specific wallpaper based on the artist’s ink and screenprint painting of the same name. A continuation of Simpson’s ongoing large-scale painting series, ‘Quiet Storm’ takes found imagery as its starting point. Beginning with a appropriated imagery from vintage Jet and Ebony magazines, Simpson superimposes and reconfigures the female face to reveal everyday American cultural stereotypes. “For me," she says, “the images hearken back to my childhood… are also a lens through which to see the past fifty years in American history”. Once digitally enlarged and screenprinted, the image is transferred onto a gessoed fiberglass board, at which point it is painted over with washes of ink. The result is something metonymic and surreal: “working with ink is very much about being in the moment, and as a result there’s a degree of subconsciousness that comes through”. Further symbolism is imbued by Simpson’s choice of palette, which is dominated by her characteristic selection of deep blues. Ranging from midnight blue to cobalt, navy and lapis, Simpson’s expressive strokes are both luminous and opaque. The resulting photo collage is what she describes as a “very simple exploration of my subconscious over the course of time”. - [Our Drinks](https://manuela-nyc.com/journal/our-drinks/): Manuela's drinks menu emphasizes spirits and beers from New York, New England, and the Mid-Atlantic. The cocktail menu highlights seasonal flavors, utilizing fresh produce from Union Square’s Greenmarket. Collaborating closely with the kitchen, the bar employs techniques including pickling and fermentation to enhance flavors and presentation. - [Project EATS](https://manuela-nyc.com/journal/sustainability-project-eats/): Founded by artist Linda Goode Bryant, Project EATS is a growing network of community-based food systems that uses art, urban agriculture, partnerships, and social enterprise to sustainably produce and equitably distribute essential resources. Founded in 2009, Project EATS aims to increase food sovereignty by growing and distributing fresh produce in New York City communities that have limited access to healthy nutritious food while also providing residents with farm and culinary opportunities for employment and management at PE and other farms and culinary enterprises. “Nothing has been more fulfilling,” Goode Bryant says of this work, “because I think this is what art is. It is food and life.”  To find out more, please click here.  - [Mika Rottenberg](https://manuela-nyc.com/journal/mika-rottenberg/): ‘Chandelier for Manuela’ (2024) is a site-specific work, specially commissioned for Manuela, New York. Mika Rottenberg’s whimsical construction consists of a bar and chandelier, illuminated by lights that beam though mushroom-like colored orbs. Playful in both its color and composition, ‘Chandelier for Manuela’ provides restaurant guests with a social, aesthetic and conceptual gathering point. - [Mary Heilmann](https://manuela-nyc.com/journal/mary-heilmann/): Specially commissioned for Manuela, Mary Heilmann’s ‘Floating Tile Tables’ (2024) present a throughline to the artist’s longstanding interest in ceramics, furniture, and what she calls “home arts”. Situated throughout the restaurant’s bar and dining areas, Heilmann’s fifty-one tables exist in three colorways (red, yellow, green), and two shapes (square and round), with a modular design that can be combined to suit a range of groups. As a painter and ceramicist, Heilmann’s playful approach to color and geometric form is evident throughout the works, whose molded inlays are carved and placed with the utmost precision. Each table is topped with a tinted and treated oak surface that has been painstakingly milled on a CNC router to cup around the ceramic panels, which are comprised of grout and tiles. This process was managed by SITU Fabrication, a New York based studio that specializes in executing highly complex millwork projects. The coloured tiles are made by hand, glazed and fired by Powerhouse Arts, a not-for-profit ceramics studio, also based in New York. As the first example of Heilmann’s work designed for a commercial setting, great care has been taken to treat the table’s surfaces with a clear, protective polyurethane layer that enables their form to be married with their function. In 2026, the tables will be auctioned for charity. - [Uman](https://manuela-nyc.com/journal/uman/):    - [Duro Olowu](https://manuela-nyc.com/journal/duro-olowu/): ‘Manuela Matta’  - [Our Purveyors](https://manuela-nyc.com/journal/our-purveyors/): The food and beverage programs at Manuela are a vibrant celebration of the seasons, emphasizing locally sourced produce, proteins from the Tri-State area, and seafood from dayboats in Montauk and Maine. - [Wooster St. Gallery – Gary Simmons](https://manuela-nyc.com/journal/wooster-st-gallery/): Following his celebrated, nationally touring museum exhibition, ‘Public Enemy,’ Gary Simmons will unveil a new series of works this November in his first presentation at Hauser & Wirth's Wooster St. gallery in New York City, ‘Thin Ice.’ Simmons, whose career has spanned over three decades, has received significant recognition for his incisive exploration of race, class and social stereotypes through painting, sculpture, sound and architectural environments. Here, Simmons will debut a striking new wall drawing—his first major site-specific work in New York since his commission for The Drawing Center in 2018. The ambitious wall drawing will engage directly with a new series of paintings and studies on view, works that continue Simmons’ evolving exploration of racially charged cartoon imagery from the 1920s and 30s, while delving deeper into his signature motifs of disappearance, displacement, and disorientation. - [Linda Goode Bryant](https://manuela-nyc.com/journal/linda-goode-bryant/): "Connecting art, agriculture, and life lived in the community" is the key tenet that underpins Manuela's partnership with Project EATS, as told by the project's founder, the artist Linda Goode Bryant. Intertwining sustainability and community-based food systems with Soho's history as a home for seventeenth century colonizers and twentieth century conceptual artists alike, Goode Bryant created a dynamic "living installation" through both its behind the scenes composting initiative and informative window display.  - [Rashid Johnson](https://manuela-nyc.com/journal/rashid-johnson/): "Broken Men Table” (2024) is a site specific artwork and functional object, specially commissioned for Manuela, New York. At seven meters long and oval-shaped, Johnson’s first table, ‘Broken Men Table’ seats twenty-four diners. With a mosaic surface comprised of handmade artisanal and industrial tiles, spray paint and smashed mirrors, ‘Broken Men Table's' collage-like composition, cracked colors and abstracted faces recall Johnson’s ‘Anxious Men’ and ‘Broken Men’ series, in which the human figure is pushed to breaking point. Within these bustling compositions, rudimentary renderings of the human face are brought to the fore, their wild and agitated expressions speaking to both individual and collective identities against shifting social realities. Of these earlier works, Johnson has said, “I’m trying to illustrate tons of different people and at the same time they’re probably all me”. - [George Condo](https://manuela-nyc.com/journal/george-condo/): ‘The Inner Temple’ (2021) combines what he calls “the lamentation” of a post-Covid world with the fragmented pictorial planes established by George Braque and Picasso, and the monochromatic, moody palette of Picasso’s ‘Blue Period’.  - [Philip Guston](https://manuela-nyc.com/journal/philip-guston/): Crescent is one of Guston’s major late paintings from 1976. It depicts Musa, the artist’s wife, as a heavenly body dominating and inspiring the artist’s inner landscape, flanked by the moon and sun at the horizon, above a rising red tide, and surrounded by a luminous blue sky that seems lit from within. Her saint-like green halo and upturned eyes are reminiscent of Renaissance painting, which Guston loved. - [Nicolas Party](https://manuela-nyc.com/journal/nicolas-party/): ‘Landscape’ (2023) embodies these tensions Party is known for. At once strange and familiar, ‘Landscape’s unsettling composition depicts elongated topiary, box hedges and cypress trees bathed in the pink light of a scarlet sun, their pale reflections hovering in a still pool of water beneath. Party’s fascination with the natural world is evident, as is his experience working as a 3D animator. “We’re so used to seeing computer-generated images now,” he says, “it has a big impact on how we see all images.”  - [Cindy Sherman](https://manuela-nyc.com/journal/cindy-sherman/): ‘Untitled #92’ (1981) is one such example, belonging to a series of large color photographs Sherman created to mimic the horizontal format of a magazine centerfold. Fraught with anxiety, the artist’s self-styled protagonist is backed into a corner. Panic-stricken, her figure instantly recalls the same terror expressed by Tippi Hedren in Alfred Hitchcock’s The Birds, or Janet Leigh in Psycho. Sherman is crouched on the floor with no makeup and wet hair. Her costume, a plaid skirt and white blouse, brings to mind all the vulnerability of a school girl, whilst harsh lighting and the cinematically cropped frame deliberately masks the identity of her assailant.   - [About Artfarm](https://manuela-nyc.com/journal/about-artfarm/): Artfarm’s story began over a decade ago, when Iwan and Manuela Wirth restored and expanded their family’s personal farm in Somerset in southwest England, opening Roth Bar & Grill in 2014. - [Louise Bourgeois](https://manuela-nyc.com/journal/louise-bourgeois/): Spider II (1995) is from a series Bourgeois began in the mid-1990s that takes the spider as its subject. Ranging from monumental installations to small-scale prints, her now iconic image originally appeared in a simple charcoal and ink drawing she made some fifty years earlier. For Bourgeois, the spider was symbolic of her mother, a tapestry restorer who rewove old tapestries like the spider weaves its web. She described her mother as her best friend and said, “she was deliberate, clever, patient, soothing, reasonable, dainty, subtle, indispensable, neat, and as useful as a spider.” Often represented as protectively carrying a sack of eggs, Bourgeois’s spiders are both vulnerable and poised, delicate and strong. They are among some of the most recognizable sculptures in the world.  - [Pat Steir](https://manuela-nyc.com/journal/pat-steir/): Since the 1970s, Pat Steir has created more than 50 wall drawings in museums, galleries, cultural institutions, and residences around the world. Specially commissioned for Manuela, ‘Song’ (2024) is Steir’s most recent site-specific installation. - [Architecture & Design](https://manuela-nyc.com/journal/architecture-design/): Manuela’s design was led by Russell Sage Studios, who were also responsible for The Fife Arms and Fish Shop Ballater, two critically acclaimed Artfarm projects in Scotland. The interiors of the restaurant have been crafted with high eco-credentials across finishes, furniture and lighting. Timber and concrete throughout the project are original, stripped back and lightly re-sealed with non-toxic sealant, while plaster walls are made from unfired-natural clays and minerals to provide a breathable finish. All lighting and textiles, including leathers, are either vintage, recycled or off cuts. - [About Us](https://manuela-nyc.com/journal/about-us/): Located on the corner of Wooster and Prince Street, in the heart of SoHo - New York's historic cast iron district, Manuela is a welcoming neighborhood restaurant and bar where great contemporary art and food combine to create a convivial atmosphere and sense of abundance.    - [Salon Series at Manuela: ‘Sugar High’ with The Wooster Group & Willem Dafoe](https://manuela-nyc.com/journal/salon-series-at-manuela-sugar-high-with-the-wooster-group-willem-dafoe/): On Sunday 9 February Hauser & Wirth and Manuela are delighted to present the ‘Salon Series at Manuela’ featuring a unique program combining thought provoking talks and performances alongside curated culinary experiences. Each salon will bring together noted guest speakers, performers, artists, writers, chefs and more, in an intimate setting, to explore various topics spanning art, food, sustainability and New York City. - [Easter at Manuela](https://manuela-nyc.com/journal/easter-at-manuela/): Celebrate Easter with brunch at Manuela on Saturday 4th and Sunday 5th April.